by Elaine Cui
2014 Scholastic Art & Writing Awards – Honourable Mention
Since the cost of re-manufacture can even be lower than that of redeployment in some cases, shipping containers are often stacked up and left behind for garbage; therefore, causing serious environmental issues. The idea of reemploying wasted shipping containers by designing and turning them into individual shops will not only resolve this concern, but also create overall economic and environmental benefits.
My idea is to reemploy the wasted materials and turn them into individual shops for business firms. In my model, the two bottom containers are strategically placed opposite from one another to create an intimate central courtyard. Each of these containers is bent at the middle to further define the space. Each container features large openings and windows facing the courtyard reinforcing its central “mixing pot” attributes. The lower level public space is characterized as ‘loud’ and features a cafe and a restaurant sharing the open courtyard’s communal seating because of the idea of maximizing potential interactions. Complementing the lower level’s ‘loud’ program, the second level features more ‘quiet’ programs with a variety of shopping stores. This level features large windows allowing for ample light and views of the surrounding market. There is also a spacious deck for lounging outside, which is above the commotion of the courtyard below. The whole structure works to anchor the temporary market program and provide a unique destination. The location is easily accessible by foot, car, and public transit. Moreover, its original market will draw people from everywhere in the city. Last but not least, its modular container
structure allows for future additions and reconfiguration, and it has the potential to replicate itself at other temporary market locations.
Eco Kitchen and Recycling Fashion were two collaborative projects, designed and created by sixteen students with goal of promoting environmental awareness to support David Suzuki Foundation.
Each painting can be considered as either an extrusion or an intrusion. The second part of the project is a game that resembles the “tangram”...
This triptych pop art series are snapshots that explore specific hobbies that I possess.
We are turning to machines, our creatives are restricted and we are more afraid to be adventurous.
Jade is a symbol of good luck in the Eastern world. The fish and lotus on the jade represents a good fortune in the upcoming year. In this drawing composition and techniques of colored pencil drawing were explored.
This painting symbolizes the dangerous in American gun policy. In the painting, a pregnant woman is holding her belly. Aside her belly is a machine gun with lot of withered flowers.
In ancient China, women originally had to observe very reserved and controlled conduct, and for the most part confined themselves indoors. "Ornamentation in Silence" portrays a woman under the similar condition.
Vancouver is widely known for both of its modern and old timer architectural design. "Exploring Vancouver" showcases nine famous buildings and four bridges in Vancouver, presenting how much there is to learn and love about the city by looking at its architecture.
This is a painting of Gastown in Vancouver downtown. The reason I chose this location is that Gastown is most historical part of vancouver and it is well known tourist spot in Vancouver.
The Holy Rosary Cathedral in Downtown, Vancouver has a French Gothic style. The cathedral was constructed in 1899 and it was a cornerstone for the Roman Catholic parish.
This structure allows the occupants to move in circular paths in the spaces created. The paths lead the occupants to end up in the contemplation or the observation area.
The interactive public art project, SenTrix, is a concept imagined by five high-school students regarding six senses—sight, hearing, smell, taste, touch and consciousness.
The designer, Angela Qu wishes to illustrate her life through this piece.
There are 7.057 billion people living on this planet, everyone is a small presence. Therefore, the "stop motion" I will do is about the fate of the red line.
The architectural design work is designed by 《Rickie Zhang》, which has been recognized for 《2013 Scholastic Art & Writing Award Golden Key Award》.
In the city of Vancouver, everyone lives in a fast pace life. I think it is important that there's an area in downtown that allows people to reset and enjoy the environment.
The concept of "Reconnect" is to reconstruct old buildings by adding on new rooms instead of destroying previously used structures for space. Reusing the old buildings by only adding on necessary rooms can save a lot of time and money, ...
This painting is a still life painting inspired by Martha Stewart’s Flower arranging works. It also received the gold medal and gold key achievements under the painting category of the 2013 Scholastic Art and Writing award.
Launching in Vancouver in September 2013, “Replay” is a project dedicated to further spread the awareness of the capability of recycling and reemploying the material of expanded polystyrene (EPS).
by Vicky Wen
This piece is dedicated to my father who passed away in a car accident on a business trip. The birdcage has the map of Beijing, one of the busiest cities in the world, cut out.
This 3D model is based on the composition drawing of the can opener. I extruded and intruded some of the semi-circular shapes by cutting through the constructions lines. My tool moves in a circular path.
She experimented by creating conceptual spaces using voids and perceptual spaces by extending the structure horizontally.
Illustration by Maggie Lo
Narrative Conceptual Drawing by: Maggie Lo
This illustration is by Maggie Lo, and inspired by MC Escher's Endless Maze.
By: Danika Jia, Rosrena Wong, and Tian Xia. This is a collaborative mural painting for expressing their collective worldview.
Realistic Life Drawing By: Danika Jia
Inspired by news article about global warming and glacier melting, this project explores the relationship between people and their surroundings.